怒人不哭
类型：短剧 / 地区：中国大陆 / 年份：2025
状态：已完结
地区：中国大陆
语言：普通话
年份：2025
导演：林大雄 Dae-woong Im
主演：나영
更新：2026-11-14
简介：
TudorFil
TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day.
电(diàn )影(yǐng )《Dead Again》是(🐝)一部恐(🧢)怖(🍇)(bù )电影，主要讲述了(le )对爱情(qíng )相当(👩)执(🅿)着的主(🔱)人(😐)(rén )公(gōng )走向灭亡的故事(shì )，人类心(🛑)理(📕)上的恐(🏦)(kǒng )怖将通(tōng )过日记的形式向观(guā(😉)n )众(🤘)展(🙄)现。电影(🙍)将(jiāng )于(yú )下个月(yuè )开机(⏭)，计(⛹)划于明(📿)(mí(💕)ng )年上半年在韩国和(hé )美国同步上(🧦)映(⬇)。
保(bǎo )罗(😶)载(🕔)着(zhe )无忧无虑身患绝(jué )症(zhèng )的兄(🎌)弟(🖖)艾(💳)略特，踏(👢)上了去往加州(zhōu )猛(měng )犸 山(🛒)的(de )告别(🍭)之(😈)旅。而艾(ài )略(luè )特计划着在猛犸(mǎ(🧐) )山(🚬)按照“尊(🎸)严(🏛)死亡(wáng )法案” 来结束自己的生(shēng )命(😮)(mì(🦀)ng )。保罗不(🏇)仅承受(shòu )着极大的(de )悲痛，还(hái )要承(🏼)担(🥊)(dā(😞)n )起家 庭(🌜)的责任。
影(yǐng )片讲述新晋(👰)导(🍲)演(yǎn )贺(🏐)(hè(🐝) )龙兵回(huí )忆起那段同哭同(tóng )笑同(🔎)青(🌸)春的高(👴)中(🍡)岁(suì )月。贺龙兵与欧(ōu )宝(bǎo )、宋(🉐)思(📫)(sī(🥒) )明三人(🤪)是极好的(de )高(gāo )中同学，虽然(🚉)家(jiā )境(🥪)相(🍉)差悬殊，但(dàn )并(bìng )不妨碍(ài )他们的(🤜)友(🙋)谊，三(sā(🏖)n )人(😑)(rén )平时在班上调皮(pí )捣蛋，但也都(🏜)只(🍕)是(shì )小(💥)打小(xiǎo )闹！直到后来贺(hè )龙(lóng )兵偷(⛔)车(🧣)被(🐐)小混混(🔹)(hún )围堵，几(jǐ )人打群架(jià(⏰) )又(🌓)被宋(sò(🚍)ng )思(📚)明当副局长爸爸(bà )看见，便立刻要(💒)(yà(😊)o )求(qiú )学(📠)校(😔)开(kāi )除贺龙兵与欧宝(bǎo )，欧宝一(🛃)人(👞)担(🍗)下责(zé(🤯) )任，被学校勒令(lìng )退(tuì )学混(😎)迹(jì )社(📈)会(🤨)。宋思明妹(mèi )妹(mèi )因为告白贺龙兵(💙)(bī(🏁)ng )被拒绝(🍇)，间(🐚)接导(dǎo )致(zhì )堕落转(zhuǎn )学；而后又(🤴)因(🦒)为(wéi )陈(⬆)(chén )佳佳，宋思明与(yǔ )贺龙兵关系彻(🐳)底(🕡)破(👼)(pò )裂。 最(🗞)(zuì )后贺龙兵考上大(dà )学(🐠)(xué(🥣) )，在欧宝(🈚)的(💍)帮助(zhù )以及哥哥(gē )的鼓励之(zhī )下(🔔)，终(🎦)(zhōng )于走(🌳)上(⬆)不同的人生(shēng )轨迹。如今他重(chó(🛠)ng )回(㊗)(huí(😒) )故乡，埋(🍂)藏十五年的心(xīn )结终于解(🥡)开，兄弟(🌊)(dì(🚂) )欧宝的去世却成(chéng )为(wéi )永远的(de )伤(🚧)痛(🐜)！
该片是(🕎)《海(📨)(hǎi )蒂和爷爷》导演(yǎn )阿兰•葛斯彭(👭)纳(✉)最(zuì )新(🍆)力作(zuò )，一部德国版的(de )“饥饿游戏”！未(🎥)(wè(🍣)i )来(🎷)社会阶(🍴)级分明，制度将(jiāng )菁英与弱(🌆)者划分(☕)开(🥠)(kāi )来，前者享有富(fù )足的生活(huó )与(🔶)保(🥈)护，后者(🎒)则(⛲)(zé )被遣送到拥挤脏乱(luàn )的底层地(💱)区(♏)。为(wéi )了(🥔)(le )获得优(yōu )渥的资源，各类(lè(🦈)i )竞争无(💽)所(🥗)不在。札(zhá )克与娜迪获选参(cān )加(jiā(🤞) )顶(🔵)尖大(dà(📶) )学(🛀)保送资格的体(tǐ )能(néng )训练营，他们(😱)除(😪)(chú )了要(❤)合作完成各项(xiàng )任务，还得在个人(⏳)表(📂)现(🏹)(xiàn )上(shà(📧)ng )拔得头筹。相较(jiào )遵守游戏(➕)规则的(🙎)娜(🏣)(nà )迪，向(xiàng ) 往自由的札克开始(shǐ )质(🐢)疑(❣)制度，两(🖨)人(😎)(rén )的摩擦逐(zhú )渐升高：一本失(shī(💹) )踪(🙌)日记、(🔼)一起意外(wài )命案，不仅改变(biàn )他(tā(🍗) )们(🤝)的命(mìng )运，也揭开扭曲(qǔ )体制下的(🌉)私(🎿)欲与谎(🐽)(huǎ(🗡)ng )言。
十七岁的坎(kǎn )蒂(dì )丝经常(cháng )做(🍒)梦(📀)，她在发(🤷)病(bìng )时(shí )做的梦往往是最(zuì )清晰(😿)真(✔)实(🈳)的。在一(🛳)(yī )次梦中(zhōng )，她遇见一位正(🔘)(zhèng )在(zà(🔰)i )梦(🌁)游的英俊男孩(hái )。这个梦一直萦绕(💛)(rà(✒)o )在她脑(⚽)(nǎ(🧦)o )海中，尤其是因为(wéi )她希望逃离现(🕖)实(👕)(shí )，活在(🛒)美(měi )好的梦中(zhōng )。她一(yī )边想着离(🏔)开(🖨)这个无(wú )聊阴沉的海边小(xiǎo )镇(zhè(🧟)n )，另(🍀)一(yī )边(⚽)还(🤸)在震惊于当(dāng )地一个男孩的失踪(🥀)(zō(🤞)ng )事件。“在(🚙)北爱(ài )尔(ěr )兰问题(tí )时期，这里还(🧑)更(🔮)(gè(🤯)ng )安(ān )全(🧜)一点。” 坎蒂(dì )丝的警察父亲(⛺)说道(dà(🚘)o )，因(❌)为(wéi )当地的恶棍团伙(huǒ )不(bú )断惹(📣)出(🕗)暴力事(💥)件(🏠)(jiàn )，导致当地越来越(yuè )危险。坎蒂丝(🌸)在(😧)现实中(♈)遇(yù )到了一个长得很(hěn )像梦游男(🎲)(ná(❌)n )孩的人，感觉世(shì )界从此被点亮。坎(👍)(kǎ(🔏)n )蒂丝虽(🈹)然(🕑)迷恋这(zhè )个(gè )惴惴不(bú )安的陌生(🏎)男(💞)孩，但后(🤬)来得知，他居(jū )然是父亲决心要(yà(📬)o )除(🧜)(chú(🥫) )掉的其(🎤)(qí )中一名恶棍。
Kyle Braddock has spent the last decade moving witnesses over the border to Mexico and has always avoided confrontation or suspicion until now. Not only has he been framed for kidnapping but there's a malevolent and unrelenting figure on his trail and he is falling in love with his latest passenger, who has a dark secret that completely goes against all of his moral beliefs. Now he must protect the first person he has cared about in over ten years, discover who he is as a man and outrun a mysterious killer who is more akin to a force of nature, with an ever increasing path of human collateral in his wake.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
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